| IIMC351 | Coding for Artists: Build A Chatbot | This course offers a comprehensive exploration of chatbot development, specifically tailored for artists seeking to expand their creative practice through technology. Throughout the course, participants will delve into the fundamentals of chatbot cre... |
| IIMC352 | Transforming Reality: From 3D Scan to AR | Transforming Reality: From 3D Scan to AR is a workshop class designed for artists who want to explore the potential of 3D scanning in their art-making practice. In this class, students will learn how to take physical objects and transform them into d... |
| IIMC353 | Technology as Measurable Space | Introduction to mechanical activity that provides a framework for contemporary art practices modifies the temporality of the object in the space: The Time factor influences the attitude of the object that moves in space with repeated temporal cadence... |
| IIMC446 | Code As Nature | Multi digital software explorations, network
communications, and immersive environments for
interactive media.
Code as Nature is a studio workshop that
introduces a variety of contemporary artworks,
computational software, networking strategies, an... |
| IIMC448 | Machine Deep Dreaming | This class explores artistic experiments with
emerging technologies related to Artificial
Intelligence and more specifically a subset of AI
called Machine Learning. We will look at hands-on
approaches to working with these Machine Learning
models by... |
| IIMC449 | Sonic Vectors and Digital Territories | How can sound create various webs between self and surrounding through reimagining all objects as potential sonic performers? Sounds can operate by forming deep links and various conjunctions into weaving the individual into the surrounding sonic env... |
| IIMC452 | Useless Software | "Useless Software" is a graduate level studio course that explores the history and practices of creative coding by engaging with computation, poetry, non-functional glitchy software, and web based digital image production. This course offers students... |
| IIMC453 | The Implicit Body | This graduate-level studio course investigates the collisions and entanglements between technology and the human body, providing students with the opportunity to create immersive and interactive installations and performances that unfold through move... |
| IIMC490 | Computation Reconsidered | How can computation be reconsidered within the
critical context of an art practice? Within the
digital realms of computation, what ways can
artists rethink and engage with "physical" space
and touch. This class will explore the basics of
programming... |
| IIMC500 | Conversations on Media and Culture | This class is required for all MFA1 Integrated Media students. There are limited openings for graduate students from other programs across the institute. This class is an advanced visiting artist seminar focusing on topics in cross-disciplinary pract... |
| IIMC510 | IM Research & Practice Seminar | This is a required class for the Integrated Media MFA1 students. In this class we will review the use of technology as a means for creating and understanding multidisciplinary art practices in the 21st Century. Through the use of interactive lectures... |
| IIMC551 | Coding for Artists: Build A Chatbot | This course offers a comprehensive exploration of chatbot development, specifically tailored for artists seeking to expand their creative practice through technology. Throughout the course, participants will delve into the fundamentals of chatbot cre... |
| IIMC552 | Transforming Reality: From 3D Scan to AR | Transforming Reality: From 3D Scan to AR is a workshop class designed for artists who want to explore the potential of 3D scanning in their art-making practice. In this class, students will learn how to take physical objects and transform them into d... |
| IIMC553 | Technology as Measurable Space | Introduction to mechanical activity that provides a framework for contemporary art practices modifies the temporality of the object in the space: The Time factor influences the attitude of the object that moves in space with repeated temporal cadence... |
| IIMC590 | Computation Reconsidered | Computation Reconsidered is a series of hands-on
workshops exploring building multi-channel video
installations, video art, and sound installations
through building our own custom systems and tools
for real time graphics and video editing. Together
t... |
| IIMC599 | Independent Study | Under the direction of a specific IM faculty
member,students pursue research and study defined
at the beginning of each semester.
Permission of Instructor only.
Independent Study is a semester-long agreement
developed between a student and a facu... |
| IIMC635 | Algorithmic Practices I | There is a long history of algorithmic processes
in art. We will approach our study through the
history of Fluxus and conceptual art, as well as
trace the lineage of generative art methods. In
addition, there will be a focus on using rules,
chance, s... |
| IIMC646 | Code As Nature | Multi digital software explorations, network
communications, and immersive environments for
interactive media.
Code as Nature is a studio workshop that
introduces a variety of contemporary artworks,
computational software, networking strategies, an... |
| IIMC648 | Machine Deep Dreaming | This class explores artistic experiments with
emerging technologies related to Artificial
Intelligence and more specifically a subset of AI
called Machine Learning. We will look at hands-on
approaches to working with these Machine Learning
models by... |
| IIMC649 | Sonic Vectors and Digital Territories | How can sound create various webs between self and surrounding through reimagining all objects as potential sonic performers? Sounds can operate by forming deep links and various conjunctions into weaving the individual into the surrounding sonic env... |
| IIMC652 | Useless Software | "Useless Software" is a graduate level studio course that explores the history and practices of creative coding by engaging with computation, poetry, non-functional glitchy software, and web based digital image production. This course offers students... |
| IIMC653 | The Implicit Body | This graduate-level studio course investigates the collisions and entanglements between technology and the human body, providing students with the opportunity to create immersive and interactive installations and performances that unfold through move... |
| IIMC670 | IM Project Development | This course is required for all MFA2 Integrated Media students. Open to Integrated Media students only. Project Development is designed to allow the student concentrated studio time to continue their pursuit of advanced creative and technical practic... |
| IIMC690 | Integrated Media Studio/Critique | This is a required class for the Integrated Media MFA2 students. Studio/Critique is framed by an experimental, interdisciplinary and non-traditional approach to art-making while employing various combinations of digital and electronic media (sound an... |
| IIMC699 | Independent Study | Under the direction of a specific IM faculty
member,students pursue research and study defined
at the beginning of each semester.
Permission of Instructor only.
Independent Study is a semester-long agreement
developed between a student and a facu... |
| IIMC799 | Independent Study | Under the direction of a specific IM faculty
member,students pursue research and study defined
at the beginning of each semester.
Permission of Instructor only.
Independent Study is a semester-long agreement
developed between a student and a facu... |